music patterns

Music Patterns

Revised: Jan. 12th, 2007.

As some may know I'm a software engineer by day. I have come to

believe that there are certain ideas in software engineering that are

applicable to delivering product in the music world i.e. to compose

and publish your music CD. One of those ideas is that of patterns ala

Design Patterns. Simplistically, a pattern is a label on a repeatable

strategy to do something. The label serves as a way of communicating

an idea to somebody(s) , a collaborator or perhaps oneself . In the

case of software its your team. In the case of music its your team as

well. Your bandmates, your composition partner , even a teacher or

student.

Often, you hear "well, there are a thousand ways to do that" and with

art that goes up to a million ways. However, the case is that there is

actually a limited number of commonly used and effective strategies.

Often, the creativity comes in the extension or slight departure from

a pattern. Of course, somebody can invent something entirely new.

That's okay, its great but often people don't appreciate stuff that is

too "new".

From my perspective the main value of "music" patterns would be to

foster communication between collaborators at all levels of expertise.

To better allow one to get a grip on effective strategies and

therefore enhance productivity.

All of the above to introduce:

The Layered Riff Intro

A riff is at first introduced over for example a 4 bar phrase. Every

four bars another part is added e.g. percussion, bass, piano etc,.

thereby "thickening" the sound until by the end of the fourth pass one

enters the top of the A section. A twist to this pattern, which I like

and I'm currently using on a tune, is to repeat the riff over your A

section and to finally end the tune with the riff.

Note, the riff is not the melody but something that the melody plays

against. The melody can contain parts of the riff, it can contain

inversions of the riff, be rhythmically symmetrical to the riff, etc.

I find it very cool to do that.

Let me emphasize in case there is any confusion, I have not "invented"

anything. I'm just going through a process of labelling these patterns

, strategies that I hear in the music I listen to for the purposes

that it may help my personal composition process. If this perhaps

helps others , great. I do doubt that a seasoned composer will find

much value in these, such already know them may have even coined their

own terms or not for these.

----

Now, some heavy composer types may call this "motif development" or

something else, well fine. But this pattern is more specific. It is

easy to grasp and more direct to implement. Try it out. The next time

YOU, and I'm now talking to those that may not have heavy music

education under their belts, set out to write a tune, just try it.

Come up with a riff , layer in the rest of the parts, come up with a

melody that is a play off the riff, come up with some chords that work

and end the tune with the riff.

You may be surprised to find a decent initial cut of an "entire" tune.

Often, at least with me, having a notion of what the "entire"

structure of the tune is has been difficult and a roadblock to

pattern or if it is preferred "recipe" has been helpful.