City Hall Has Chance To Get Music Agenda On Key
He who has the gold makes the rules.
That's always been especially true when it comes to local musicians.
After all, they've watched over the years as big ideas have been
chased and big promises have been made while the small matter of
helping put money in the pockets of local musicians rarely hit the
civic radar.
Off Notes
It's too bad, because it has sent the unmistakable message to the
creators of our most famous export - music - that we are awfully good
at talking the talk, but just can't figure out how to walk the walk.
While our tourism industry and our city brand are built on music, our
economic development pitch hits the high notes, music CD's are handed
out to VIP's and nothing is bragged about more than Memphis Music, we
continue to give our musicians the blues.
We thought of all this recently when we read that the members of the
Memphis and Shelby County Music Commission are still waiting for
someone in local government to make them a priority.
Off Key
It's been 10 months since the public music group broke away from the
private Memphis Music Foundation and Memphis city government promised
to make priorities of the commission's funding and the hiring of a new
executive director.
Of course, it was a priority that would be address in government time,
so only now is city government even getting close to starting the
selection process for the new head of the agency. Sadly, City Hall
officials say that the appointment will be made by the city mayor.
It sounds like an off key decision, because once again, it suggests
that the city fathers don't believe that musicians are capable of
controlling their own destiny. We don't want to be too harsh, because
the administrative officials who've been heading up this process are
unquestionable music fans. We just think they don't understand how
much the confidence in our music industry has been eroded, and how
top-down decisions like this are interpreted by musicians.
Blown Deadlines
Besides missing the deadline for the selection process for the
executive director, city government has also blown the schedule for
re-launching the website of the Music Commission. That's especially
frustrating, because before the Music Foundation was created, the
Commission had an interesting, entertaining and perfectly serviceable
website that the Foundation blew up during the period that the two
organizations were sharing staff and agenda.
That was in the heyday of the big talk and small results. Time and
time again, the Music Foundation claimed that a breath-taking project
was about to be announced, and time and time again, it just died
without another word.
There are encouraging signs from the Music Foundation these days as a
result of the much-needed change in leadership. New head of the
Foundation Dean Deyo promikses a musician-centric approach in the
group's agenda, and refreshingly, he has sought to build bridges
rather than create headlines.
Moody Blues
Hopefully, city government will soon untie the hands of the Music
Commission members, and that new Director of Public Service and
Neighborhoods Kenneth Moody will put this at the top of his to-do list
and see his role as enabling the musicians to set their own agenda
rather than City Hall dominating their decisions.
Commission member and blues musician Billy Gibson said it well in an
interview with David Williams of The Commercial Appeal: "We are in
desperate need of some leadership. I just have to say this, as a
Memphis musician. It's a frustration because we're always waiting to
move forward. We're always in a 'transition.' I hear that term used.
I've been on the board for a year and we've been in transition for a
year. It's time to get to work."
That's a tune we all should be humming, because it's time for
transition to be a wrap and allow the Music Commission to compose a
new future.
More Than Elvis
Speaking of music, one of our city's best events, the International
Blues Challenge, was featured yesterday in Crain's Business of Life
under a headline we'd love to see more often: "Memphis beyond Elvis.
There's more to see than Graceland."
We were reminded last year of just how important this Blues Foundation
event is when a city official from Monckton, New Brunswick, dropped by
to talk about urban policy. She was in town with her husband to book
acts for the city's yearly music festival.
They try to attend the Blues Challenge every year, and her effusive
praise for the event, the special Memphis vibe and the quality of the
acts was enough to make the toughest Memphis critic break into a
smile.
Hard-Core
As Crain's pointed out, "The most hard-core blues fan will want to
snag the all-inclusive $150 package, which includes receptions and a
keynote luncheon. For everyone else, the $70 option will get you in to
hear the semifinals and finals."
Other recommendations included a "different music experience" from
American Dream Safari, the National Civil Rights Museum, "tiny,
eclectic" Talbot Heirs Guesthouses, the ducks at The Peabody, Central
BBQ and Circa. All in all, it was a big hit for Memphis and the
International Blues Challenge.
This year, the 24th edition of the Blues Challenge runs from January
31 through February 2. It promises to be even better than last year
when 90 bands and 60 solo acts and duos filled clubs up and down Beale
Street on the first two days, culminating with the finals at the
Orpheum Theater on February 2.
World Beat
It'll be a good time to enjoy some great music from around the world,
but more to the point, it's a good time to support the Blues
Foundation, which continues to reflect positively on Memphis by
keeping our blues traditions alive and well. There was a time when it
seemed inevitable that the Blues Foundation would have to close its
door, but under the new management team there, it has not only
survived, but it's organizing outstanding events like this.
Come to think of it, another of its fine programs is Blues in the
Schools, which has scheduled programming throughout the week of the
Blues Challenge, and it will feature Gary Allegretto, Spencer Bohren
and the duo of James Nixon and Shannon Williford.
At least, while we too often give our own musicians the blues, we can
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